This is strange, since I remember sitting in the cinema with my friends just a few hours ago and being thoroughly entertained and captivated by the whole thing. As I write this review, more and more bad points about it spring to mind. The issues in the film were serious enough and needed more comedy to balance them. I felt the actors were much too serious for this kind of film, which is first and foremost an adventure story, fast-paced and constantly unlocking new mysteries. To counter the good parts, two big minuses in The Da Vinci Code are its wooden and sometimes even placeholder dialogue and its distinct lack of humor. That said, the plot does unfold in a somewhat Hollywood fashion - and the plot happens to be thinner than an Olsen twin. Similarly, Frenchmen do not speak English with a French accent when they were alone together, but speak in French. This is even apparent in the score by Hans Zimmer it is not overblown, but subtle and appropriate in the scenes to which it was scored.
This surprised me since it is Tom Hanks and Ron Howard in the same film, but they do manage to keep the overblown Hollywood clichés to a minimum.
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Good call, Howard! Another big plus is its distinctly Euro-centric feel in both style and substance. A big plus for this film which elevates it slightly above generic formula is its beautiful locations often seen through epic aerial shots. So the cast usually perform well (with the exception of Hanks) and the story is also facilitated by some very striking visuals. However, Tom Hanks did not at all feel like the protagonist in the story and I am unaware whether that was intentional or not but I'm guessing no, in which case Hanks definitely fails in both attracting and keeping our interest. While Audrey Tatou is annoyingly frail as Sophie Neveu, she is captivating and lovely and is able to project both charisma and presence on screen in this film. Paul Bettany is genuinely creepy as Silas and thereby reinforces the stereotype that all albinos are evil. The Da Vinci Code is a chilling, thrilling and well-sewn together mystery thriller that often keeps you on the edge of your seat. The victim's body is self-placed in such a bizarre, symbolic way next to one of the world's most famous paintings that the investigation gradually unlocks age-old mysteries that many do not wish to be unlocked. Plot essentially goes like this: In the middle of the night, Professor Robert Langdon (Tom Hanks) is summoned as an expert to a crime scene in Le Louvre where a terrible murder has been committed. I have not read the book so I will not attempt any kind of comparison. Do NOT judge it on its usually weak director, do NOT judge it entirely on the source material and do NOT judge it on your religious beliefs. Before you go and see The Da Vinci Code, let all the negative and positive hype surrounding this production cancel each other out, clear your mind, and judge this film fairly. So I suggest not writing this off as a Hollywood hack film, simply because it's the bandwagon thing to do.
In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbologist from the United States. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter.
The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard.